I've collected so many things circa 1670 - 1710 for the William and Mary house that I'm using the ground floor room in the Castle tower for them. They seem to be happier all together, and I like looking at them and imagining the building we're going to make for them!
Every miniature has a story or a meaning, now. When I look at this scene, I see the settee by Kris Compass, the blue and white delft-ware that Ewa sent me from Poland, the silver decanter that Flora gave me and the dummy board that Susanne made, as well as the clock kit that one of the girls made at Knit Wits, the chinoiserie secretary I painted, the needlework I stitched, the hydrangeas I made .... It's so full of memories, and I've only been at this such a short time! I can only imagine how layered with meaning are the mini- scenes and houses of those of you who've been doing this for decades :)
My favourite artist has always been Holbein the Younger. I love portaits more than any other artistic genre, and I feel that Holbein's technical mastery and his insight into human beings made him able to show me real people, bridging the centuries between their world and our own. I remember the first time I went to the National Portrait Gallery in London, and saw some of his work in the flesh, as it were -- I went to swoon over the anonymous portrait of Richard III (did anyone else have crushes on historical figures? :)) and eventually came face to face with Christina of Denmark and The Ambassadors. Amazing.
Anyway, when I saw this miniature version of Lady with a Squirrel and a Starling by Euro Minis I had to order her (from eBay) -- and I had just the right frame for her in my frame collection! (Sorry the focus is on the dresser and not the foreground, but I like the fact that Gentleman with a Cane is peeking around the corner at Lady with a Squirrel and a Starling ... :)
Colour blind.... - So. I've finally finished the dining room makeover. I've even made a new tablecloth as I couldn't find one in the exact colour I wanted. I've also blinge...
1 hour ago