Fireplaces for William and Mary dolls' house attic

 These two little fireplaces are for the attic rooms in the William and Mary House.  Each is built into an angled chimney breast that will accommodate the slant in the hipped ends of the roof. 

While they're both built of the same moulding, the moulding was put on the chimney breast differently in each case -- totally by accident.   I sort of liked that they were complementary but not matching, so I left it that way!   The top one has been trimmed with coffee stirrers and lengths of mini turnings, and the bottom one just with coffee stirrers. 

They will have brick firebacks.

Finished 1690 sampler designed by Annelle Ferguson

I finished the sampler kit from Annelle Ferguson last night -- as you can see I decided to fill in the background, which I think was totally the correct decision :)

I love this little thing, and will be framing it soon.


MESS (Miniature Enthusiasts of the South Shore) had its first meeting today, and we are going to have a BLAST!  Paula and I brought our libraries of books on minis, we worked out an initial list of projects we want to try and got to meet Mary-Anne's awesome menagerie of little dogs :)  A great day!

I'm also hard at work on items to sell at the Shearwater Hobby Show on April 14th, as well as working on the brickwork and slating of the WAMH.  More to show you guys, soon!

Miniatures retreat this fall: Camp Mini Ha Ha in Nova Scotia!

I'm so excited that I'm going to be going to my first real-life miniatures retreat:  the 12th annual Camp Mini Ha Ha in Cornallis, NS, which takes place at the end of September!

I'm looking forward to five days working, learning and playing with other miniaturists at this great event, which is only two hours away from me, in the beautiful Annapolis Valley.



And here's a little peek at a delicious-looking plate of Stilton cheese, bread and grapes by Amanspeak Miniatures in the UK that just arrived: 

Nice work, and suitable for any period!

My roof slates arrived as well, from Richard Stacey, and I've been slating like a mad thing.  More photos of the house, soon!

1690 miniature sampler by Annelle Ferguson

I finished the main stitching for this sampler last night -- now I'm just deciding whether or not to fill in the background or leave it as is :)

This is a gorgeous kit designed by legendary miniature needleworker and IGMA Fellow Annelle Ferguson, based on a 1690 English band sampler.  It's on 48 count silk gauze making it the tiniest scale thing I've ever stitched (it's just under 2 inches long :)  I can handle this count with my naked (nearsighted) eyes, but any smaller than this and I think I might go a bit nuts.  Or need a magnifier.  Or both.

It's a beautiful design and was a pleasure to stitch. I made a couple of mistakes and I lost Annelle's red thread (so continued with a different shade) but I love it, my imperfections and all :) It's a beautiful design.

I'm going to frame it and it'll go in the WAMH, as a souvenir of my 1:12 scale alter ego's late 17th century youth!

What I bought from the March Online Miniatures Sale

All the little lovely things I bought at the March Online Sale have arrived, so I can share them with you!

The beautifully-made string of onions (and the loose ones) are by Canadian artisan Cheryl Hartlan (cherylgbc@ns.sympatico.ca
They're perfect for my WAMH kitchen!  Thank you, Cheryl!

The blue bowl hand painted by Elizabeth Chambers in a Chinese style is from a very fine dealer, Lovely Things, and of course is destined for the Blue and White room :)

And the period ephemera are by Monserrat Folch, and are just gorgeous in person! Each piece has its own texture and detail and they will look wonderful in the house!

How to make a simple fire/ember unit for a 1/12 scale dollhouse

Here's how to make a simple (and very inexpensive) electrified fire/embers/coals unit for your dollhouse.

Tic Tacs are a pretty worldwide candy. If you live somewhere where the orange Tic Tac box is orange (and the mints are white - like Canada) then you have an almost instant source of the right coloured material to make a fire! 

(This will also work if you only have clear boxes -- get some transparent or translucent glass paint and paint the plain plastic the colour or colours you want your glowing embers.)

You'll also need black paint and a 12 volt bulb -- I'm using a pre-wired frosted grain of rice bulb.

Cut off the bottom 1/2 inch or so (15 mm) of the candy box with a saw or even scissors. (You can also cut one of the sides down, if you need a shorter unit -- the one I actually made for my kitchen grate needed about 1/4 of an inch taken off one side. ) Cut a slot or drill a hole where the wires will exit at the back of the unit.

 I just dabbed it with thick globs of artist's black acrylic paint for coals, but you could also glue on logs or bits of real coal or even black beads for verisimilitude :)  Let it dry.

I drilled a hole in the back of the kitchen grate and placed the bulb inside.  I then put the fire unit on top of the bulb inside the grate and taped the wires securely at the outside back of the grate.  Then I fed the wires through a hole in the back of my fireplace nook and added an electrical plug and plugged it into my electrical board.

Early Georgian kitchen range and shelves

On the weekend I made a set of pieces for the kitchen fireplace -- together they make a sort of early range.

I made a hob-style grate using this tutorial by Carol Clark, which looks almost exactly the same as Brian Long's instructions from his Georgian Doll's House book.

Then I made a "cast iron" bread oven and fire box for the left hand side of the fireplace -- David's going to remake these for me in patinaed brass, but they'll do for now.  I haven't added the door to the fire box, but there will be a fire inside :)  I'm also making a fire for the grate.

 I made a few little shelves with some sections of full-size moulding, whose profile looks just right for 1:12 scale brackets!  One can never have too many shelves ...

I have a busy theatrical time this week, so I don't know how much I'll be posting.  Talk to you soon!

Egg carton stone floor for Esther's house

Over the past few weeks Esther and I have been working on the 1:12 Tudor house she's building.  She wanted a stone floor in her kitchen, and I suggested we try egg carton stones, as I'd been saving egg cartons for about a year :)

We had three different colours of egg cartons, and cut a variety of rectangular pieces from them.  Esther started laying stones in the middle of the floor and worked outwards.  This meant a lot of cutting and fitting around the sides, but it wasn't terribly difficult.  ''

When all the stones were glued in place, then we added weak washes of three different colours -- dark slate grey, light grey and raw umber.  The egg cartons are VERY absorbent, of course, so there's no open time for this layer.  If you want to be able to work your glazes at this point, I'd suggest sealing the stones before you do your colour washes.

Then Esther sealed the floor with three coats of satin acrylic medium -- you could use varnish.  She'll play with the stones a bit more (maybe adding grout lines) but I think it looks pretty darned good!

Little transferware plates by A Lavender Dilly and my first original mini crewelwork!

I just received some wonderful little blue and white plates from Australian artisan Carrie Lavender, who sells through her shop A Lavender Dilly on Etsy.  Aren't they sweet?    Check out her blog! 


I also finished my first original miniature crewel piece, and I think I may be addicted.  This stuff is fun!  I look forward to getting much, much better both at my stitching and my design :)

Meeting East Coast Canadian miniaturists in real life!

I've had a Epiphany of sorts, all thanks to a lady named Cheryl H. :)  I visited her virtual table at the March Online Sale, and was excited to see that she's from Nova Scotia!  After purchasing one of her onion braids, I asked about real life groups in the area, and there are actually several, which makes me very, very happy.

Until now, 99% of my contact with other miniaturists has been online.  Although I've loved this, and it's been both a lifeline and a real pleasure to share the hobby with so many talented artists around the world, I have longed to meet some folks in real life, and now I'm going to!

Cheryl seems to know everyone involved in miniatures in Eastern Canada -- and even further afield, because she runs a Yahoo group devoted to Canadian miniaturists.  Here are some of the links she shared with me:



Canada Minis -- a Yahoo Group  "Canada Minis is a group for miniaturists to gather and share information about the Canadian miniature community, to find out about shows, clubs, places to shop, and other general information about miniatures in Canada.


Shearwater Hobby Show  April 15 and 16 in Shearwater, NS  This model making show includes dollhouse and miniature exhibits and sellers.  I've just booked my table, so I'm going to bring in the Tudor castle kitchen, I think, and some stuff to sell :)


Moncton Miniature and Doll Club -- which also runs an annual dolls house show the first weekend of May.

Miniature Enthusiasts Across Canada --

Miniature Crafters of Nova Scotia -- meets monthly


Camp Mini Ha Ha -- a miniaturists' retreat and camp held annually in Cornwallis, NS.  I want to go!

And I'm talking with a very nice woman from Bridgewater who wants to start a South Shore group.  Things are happening!

March Online Miniature Show

I've just been checking the wares at the March Online Miniature show -- there are some beautiful items!  I think there could be more information about the show in general, the listing of vendors could be better organized (perhaps by scale and then by category) and the process of ordering could be clearer or more streamlined (it seems to be largely by email) but it's a great idea and I'm shopping!

There are lots of small scale minis available for those collecting in that scale -- especially 1/4".

Some of my favourites:

Lots of gorgeous ephemera for many periods from Monsterrat Folch, including this sealed letter set and ribbon-tied letters:

Gorgeous creations by Oiseau de Nim, including these peonies:

Stunning traditionally-made baskets by Australian Basketcase Miniatures:

Very attractive and reasonably priced food (including lots of sweets and cakes) from Amanspeak Miniatures:

I could go on, but I must dash!  Do check it out -- the sale is on now until Tuesday!

Progress on Armenian Gendje Carpet

Here's the current state of the carpet I'm working on from Meik and Ian McNaughton's Making Miniature Oriental Carpets:

 I've loved this one since I first saw the pattern, although I was intimidated by the complexity of the design.  It's much simpler to stitch than it appears, once the basic framework is set up.

In related news, I am the proud owner of a copy of Annelle Ferguson's book Traditional Needlework in Miniature.  YEE HAW!  After months of tracking down a copy of this out of print gem, I finally got one!  I am stoked to start stitching from it ...

Hipped dormer for William and Mary dollhouse

I have four hipped dormers to make for the William and Mary dolls' house, and I started with the one in the kitchen roof.  I'll do a proper tutorial on hipped dormers when I do the three on the main house, but here's a walk through.  

Here's my reference photo:

Based on this photo, I chose the Housework's working casement window.  I painted the window white and added the panes using 1/32" vinyl model striping.  Then I built my dormer from foam core, because it's light and easy to adjust.  I glued and then duct taped the dormer together.

I drew the outline of the dormer unit on the backing, and cut out the opening.

I glued the dormer to the backing panel over the hole, and used narrow strips of aluminium tape (used for duct work) to mimic lead.  I slated the dormer with Richard Stacey Versi Slates, using folded slates as ridge tiles.  Then I started slating the roof, making sure that the backing panel for the dormer would lift free of the roof base, so I have access to the little room underneath.

I've run out of slates, so have to wait for my shipment, but I'm very pleased with this first attempt!

William and Mary House roofs under construction

After a busy few days, here's what the WAMH looks like this morning:

It looks so much more like a house now :) 

First of all, I built the front of the kitchen roof, with a backing plate all around the opening which will support the removable panel that will include the dormer.

And here is the massive hipped roof that David and I built out of 1/8" plywood combined with trigonometric calculations and profuse bad language:

After all that, it's still not perfect, but it's not glued down yet, and anything still wrong with it I can disguise in the finishing :)

And here's one of the chimneys that fit into the hip of the roof:  made from a nominal 2 x 4 and cut at the angle of the hip, the long piece becomes the chimney and the short piece becomes the chimney breast inside. 

I'm looking over at this beast on my worktable, and the thought strikes me:  this is one freakin' huge dolls' house! I mean, I knew the dimensions going into this, but I didn't really picture it as a concrete reality.  And it's been growing so very slowly over the years, that I'm a little shocked, now that the roof is on, to see the final proportions :)

I also think it's going to be really beautiful, if I don't screw up the outside!

David and I are off to Halifax for a double theatrical bill of two plays by Christopher Marlowe -- so I'll talk to you later!

Making a simple 1:12 scale rope bed

I wanted a little rope bed for the servant's room, so I made one last night and this morning from pine offcuts.  You could use dimensional basswood or even popsicle sticks for this one :)

My cutting list from 3/16" thick pine:

2 @ 1.5" x 3" (for headboard and footboard -- could also glue strips together for this
2 @  .5" x 5.5" (for sides of bed)
4 @ .5" x 2.5" (for legs)

I drilled the holes for the rope first -- I drilled four in each head/foot board and 8 along the side pieces.  Doesn't really matter -- it all works out in the end!  By holding the matching pieces of wood together I was able to drill both pieces at once.

I butted and glued the rails to the head/foot boards and let them set up. 

Then I turned the bed upside down and glued the legs on. 

Here's the bed, right side up!

Once everything was dry, I stained it with MinWax "English Oak".

I used jute twine for ropes, and followed the directions here for roping the bed: http://countrybed.com/ancillary_pages/reference/Rope.shtml  Easy peasy, lemon squeezy!  I used some electrical tape to make the threading end more threadable.  I underestimated the amount of jute I needed, but it was easy enough to extend it with a discreet knot :)

And do you know?  This little bed pleases me as much as anything in the house.  It just looks so very RIGHT in the kitchen attic room.

I'll make a straw mattress for it, and then think about the kind of bedding a servant would have had circa 1705 :)

Firescreen for miniature crewel work

I decided to make a little firescreen to show off the mini crewel work I finished.  I started with some odds and ends of wood -- a length of laser cut gingerbread, some Tiny Turnings #1000, a thin panel cut to the size of my needlework and some dimensional basswood. 

I used a slice of the gingerbread for the top, an equal length of basswood for the bottom, long enough to frame a central panel (which will display the needlework) and a turning on each side (you could easily use a spindle post here).  I glued everything together on a flat surface and let it set up.

Do make prettier feet, these are just notched bits of basswood :)  I stained the piece at this point.

Then I trimmed the crewel work and used Clear Tacky Glue to glue it to the central panel.  I  framed it in with some smaller basswood strips to cover the edges of the needlepoint.

Finished crewel work and start on roof slates

 I finished the little crewel project last night -- it was so much fun, I just couldn't stop!  (I stitched it while watching Truffaut's 1966 film of Ray Bradbury's Fahrenheit 451 :))  Doing this kit has really given me a great deal of confidence -- thanks again, Cookie!  I'm going to make it into a fire screen for the bedroom, I think.  More later ....


And I started slating the back part of the kitchen roof, using Richard Stacey's Versi-slates.  As noted in the instructions, the PVA glue I'm using makes them warp a bit at first, but they settle down.  Below, the bottom three rows were ones I glued on last night before bed.  The top three I glued on just before taking the photo -- you can see that the bottom three are flatter than the top.

They're very regular, so I made the bottom edges a little uneven to make it look more realistic. 

David and I worked out a cardboard model of the hipped roof (to make sure our angles were right) and we're going to cut out the roof parts today!  Woo hoo!