Showing posts with label tiles. Show all posts
Showing posts with label tiles. Show all posts

Sunday, July 11, 2010

Update on WAMH

I haven't had much time for the William and Mary House today, because I've been trying to finish off my swap gifts for Caterina's Holiday Swap :)

But after messing with the tiles yesterday, I'm now at this point:



That's not the real kitchen fireplace, of course, it's the dining room fireplace, just put in these photos as a visual placeholder to help me visualize proportions better.

And here it is in its true home in the dining room.  You really have to use your imagination for this one :) Imagine panelling and scenic wallpaper in here ... I really like Kris's settee here, too -- I may have to get her to make me a different one for the parlour!  This is an old-fashioned dining table for 1697-1710, but I'm imagining that the owners of the house are a tad eccentric!

Saturday, July 10, 2010

Painting kitchen floor tiles - day two

I've found photographing my projects to be immensely helpful when trying to recreate something in real life.  I think we've all had the experience of thinking something looked fine, then taking a photo of it (especially a macro photo or a shot from "doll's eye" perspective), and realizing that we've screwed something up :)

This is very true as I continue my journey with the kitchen floor!

First of all, this is my inspiration photo.  I love the fact that the tile colours are so varied, yet all clearly belong together.  They're grounded, somehow.


And here's where things are this morning, after working over the floor with the original pigments, adding ultramarine blue and ochre.


I can see that I'm getting there, for sure.  It's not dreadful, but it all needs to be tied together.  I need to stipple the tiles with a darker colour, especially the paler tiles.  I need to put in a nice dark wash for the grout (that will be easier now that it's all sealed -- I can wipe the wash off the face of the tiles, leaving the pigment in the grout lines.  I also don't have to be afraid of using more and richer colour.  I think I'll do one more pass with some deeper terracotta colours and then try to create the grout look.

If anyone has some ideas, please shout out!

Friday, July 9, 2010

Painting kitchen floor tiles

NB: I'm laughing right now, because looking at the photos I took of the process of painting the floor clearly reveals that a cat or cats used the kitchen floor for a napping place sometime over the last day or so :)  I didn't actually notice the incredible amount of cat hair until I was putting an acrylic glaze on the floor!

Here are the tiles before I started painting -- dry, not shrunk at all, but cracked in places.



I don't think I've ever painted clay before, certainly not as an adult.  What I should have realized was that it's incredibly absorbent, of course. 

I did a watery wash of raw umber, first, to bring out the grouting.


The paler places are where the tiles have dried right out. Fortunately a little of the raw umber was left where I wanted it.


I then did what I'd normally do:  start putting on thin washes of colour (palette at the moment raw umber, burnt sienna and black) on individual tiles.  The thin washes didn't work terribly well, because the water dried leaving very little impression of the pigment.  I decided to seal the tiles before going any further (which I would do right at the beginning, in the future.


I used what I had on hand - acrylic gloss medium really watered down (to take away some of the gloss).  Seems to work fine.  Any clear acrylic craft finish with a satin or matte finish would be great.

Ah, cat hair.  *sigh* But this close up of the tiles after being sealed shows that they're definitely coming along.  Lots to do yet, but it's a good first stage.

I couldn't resist popping the walls back in place (the door has been glued on the back wall, as you can see) and taking a look at the scene, even though it's really far from being done :)  I think I'm going to like it!

Wednesday, July 7, 2010

Cutting first foam wall -- drying tiles -- Mum's doll

This is going to be a rather "bitty" update :)
First of all, I bought a lovely new utility knife (box cutter, Olfa cutter) and cut out my first foam wall!


The walls for the ground floor are 11" high, and the plans for this house call for the foam side walls to be set back from the front edge of the base 3/4". (These forward edges of foam will later be covered with 3/4 inch thick wood to which the dollhouse doors will be attached with piano hinges.)


Cutting the foam was really, really easy. I was prepared for it to go all granular on me, but by cutting slowly and in layers (i.e. not trying to cut all the way through on the first pass) and with a super sharp knife, everything went smoothly.


Here's the first wall propped up!  This is probably going to be the dining room's fireplace, but I just couldn't resist getting a sense of the scale of the thing, with Kris Compas's gorgeous little settee in place!

Next update:  the kitchen floor.  Well, it's definitely cracking, but it's not shrinking :) I'll rub some crack filler into most of the cracks before I paint.  It certainly is drying fast, and it's a nice terracotta colour ... I should be painting it by Friday!


And, finally, I took a few photos of Mum's doll in her roombox -- she looks very much at home there, and has made friends with Mini-Emma :)  Mum hasn't named her, but it's just a matter of time -- Mum names EVERYTHING, including our 1950s era teak salt shaker/pepper grinder ("Lily St Cyr" -- because she shakes and grinds ...)

Friday, December 18, 2009

Medieval tile floor finished

One of the most absorbing aspects of this project, besides the hand work required, which I enjoy, is the research needed to come up with a miniature and theatrical version of a medieval dollhouse castle being lived in by early Tudor-era people.

Learning about medieval flooring has been a real pleasure, and I'm terribly happy that my miniature tile floor is all finished.

Overall, I'm pleased with the effect, particularly from a distance.  Close up, one can tell that the owners of this castle hired blind apprentice tile makers back in the 12th century :)

I think I'll make that part of the story ...





The yellow ochre glaze I used really helped to tie things together.  Then I used a burnt umber glaze to pick out some of the tiles and to muddy things up a bit in general.



There's no grout.  There perhaps should be -- some of the gaps are pretty big!




Monday, December 14, 2009

Miniature medieval tile floor

Before I put in the first floor of the Tower, I need to finish the flooring below.

At first I planned to put in a  black and white chequered floor, made from peel and stick tiles.

But after sketching it out, I decided it didn't look period enough, so I went in search of possible flooring options for 12 century English buildings.

I came up with encaustic tiles.


These tiles were made all over England from the 12th to the 16th centuries.  The word "encaustic" comes from the Greek, meaning "to burn in" (hence its relation to encaustic painting, where the pigment and beeswax combination are melted onto the canvas).  The raw clay tile was  stamped with a wide variety of patterns and the impress was filled with a white clay slip.  The whole was then fired and glazed with a characteristic yellow glossy finish. Each tile was typically about 6" square.

I've decided to make mine out of polymer clay.  In scale they will each be about .5" square.  I need over 600 of these little suckers.

For my first batch I made up my own terra cotta colour from brown, white and red clay.  Then I discovered the "pottery" colour of Sculpey clay, which is just perfect for these!  That's fine, I like some variation in the base colour, which I think will improve the effect.  Detail always does.

I tried a number of techniques to make the tiles:  I rolled out flat sheets of clay and then baked them, and used a guillotine to cut half inch strips, then cut the half inch square tiles.  This was VERY slow and quite wasteful of clay!

A much faster way is to roll out the clay, and then cut out strips and the individual tiles using scissors.  This is surprisingly easy, especially when one's eye becomes accustomed to estimating the correct size.  It's also easy to pull out all the tiles that are obviously the wrong size or askew, before they've been baked, and just junk them back into clay, thus reducing waste.

To mimic the white slip pattern, I used a small paintbrush and thinned acrylic paint for the first batch, which worked out okay.  The second batch I used a Gelly Roll pen in white, and this gave me much more control over the detail in the tiles.  For the finished floor I'll mix the painted and "penned" tiles up, but another time I'd just start in with the pen.

I'm not trying to make a particular pattern on the floor, so I'm using just about every design I can find for these tiles, and mixing them up.



Some of the floors include tiles in a darker colour, what looks like a very dark blue, but is probably black.  I'm making some dark blue tiles to break up the mass of terracotta coloured tiles, and I'll play with the layout to see whether I want to put these in a band around the room or just mix them in with the clay coloured ones.  I mixed the basic Sculpey blue 4:1 with black to get a dark blue.



Here are some of my tiles:


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